Fabric + Frequency presents “Talent Profile” with beauty industry insider, Jhenelle Neon . Our fashion editor , Matthew Anderson, took a moment to sit down and get the scoop on all things “Neon Fix” and here’s what she had to say.
Matthew : Tell our readers a little about what is “Neon Fix” , how was it created and your role in the company?
Jhenelle : This industry is my “Neon”, an element on the periodic table with the atomic # of 10, rare in the earths atmosphere. Seeing hair, makeup and style come together is my addiction and every time I work I satiate my hunger for it …I get my fix.
Matthew : When did you know the beauty industry would be your career path?
Jhenelle : I’ve known since a little girl I would end up doing something artistic and something that would make people feel good. Hair, Makeup, style, and image is empowering. It’s a celebration of self.
Matthew : What projects and clients are currently on the neon fix roster?
Jhenelle : I’ll be launching my cosmetic line April 1st. called FIX’D &
I have a super yummy shoot coming up with Spray Ground /Co Co and Breezy.
Matthew : What is toughest part about your job?
Jhenelle :Treating my craft as a business.
Matthew : What is your dream project or client?
Jhenelle : fashion film, fashion film, fashion film! My NEONFIX cosmetic line is gonna be crazy! Complete with prosthetics, pigments. It’s going to be my Industry professional line.
Matthew : What do you see in future for Neon Fix?
Jhenelle : Full Production Studio / Open my website up as a social network for industry professionals and fashion/art community.
Matthew : Do you have any advice for aspiring beauty industry talent?
Jhenelle : My advice to any aspiring talent is to picture it in your mind, believe it, know you deserve it and it will manifest in your life…the physical world.
Thank you Jhenelle for taking the time to chat with me and let Fabric + Frequency profile your world as a beauty industry professional. For more information, portfolio & to book “Neon Fix” visit www.neonfix.com
Interview written and edited by : Matthew Anderson